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News posts

Netflix series “Straight to Hell” shares first teaser, announces additional cast

Kokuho becomes Japan's highest-grossing domestic live-action film

Japan Society to welcome acclaimed anime director Shinichiro Watanabe for Foreign Exchange 2025 film & discussion series

Comedy duo DOWNTOWN announce new streaming service

Kokuho is selected by EIREN as Japan's "Best International Feature Film" submission for the 98th Academy Awards

Thus Spoke Rohan Kishibe: At A Confessional hits Amazon Prime in September

Omoinotake contribute new original song "Gravity" for upcoming film (LOVE SONG)

Upcoming anime film 'AS ONE' receives new trailer, key visual

Vampire Hunter D revival screening coming to Japanese cinemas, with remastered Blu-ray to follow

Thus Spoke Rohan Kishibe: At a Confessional live-action film announced for 2025

Most recent

White Flowers and Fruits taps female adolescence within and beyond yuri frameworks

Alicia HaddickJan 19th

All You Need is Kill is an exciting, essential, awkward reimagining

Alicia HaddickJan 15th

Humanizing a war prisoner in Merry Christmas, Mr. Lawrence

Alicia HaddickJan 9th

I’m obsessed with “The Obsessed”

Alicia HaddickJan 8th

Dear Stranger wastes a talented cast in unfamiliar waters

Alicia HaddickJan 6th

A story about death with a talking flower: Baku Kinoshita on The Last Blossom

Alicia HaddickDec 30th

Kore-Eda Hirokazu's “Look Back” live-action: The potential and pitfalls of yet-another adaptation

Alicia HaddickDec 30th

Manzai duo Takurou claws M-1 victory nine years in the making

Lachlan JohnstonDec 22nd

Chihayafuru: Full Circle is a rare legacy sequel that works

Alicia HaddickDec 18th

Creating a transgender-led film in Japan: Behind the production of Blue Boy Trial

Alicia HaddickDec 16th

The Chatterboxes is an inclusive tale for a distinctly-modern multicultural Japan

Alicia HaddickDec 10th

Swallowtail Butterfly's economic and immigrant anxiety resonates just as strongly nearly 30 years later

Alicia HaddickDec 4th

Shoji Kawamori on the smartphone age in his original anime film, Labyrinth

Alicia HaddickDec 2nd

The importance of the superb “Blue Boy Trial”

Alicia HaddickNov 28th

“Meets The World” seeks connection in the Kabukicho nightlife

Alicia HaddickNov 27th

Mamoru Hosoda's Scarlet is a disaster

Alicia HaddickNov 25th

“A Pale View of Hills”: Past trauma, modern guilt

Alicia HaddickNov 14th

“Blonde” offers sharp commentary on justice for the next generation

Alicia HaddickNov 12th

“The Last Blossom” explodes in a cacophony of emotion

Alicia HaddickNov 7th

Can’t Cry With Your Face questions the reality of living a second life

Alicia HaddickNov 4th

“Labyrinth” is Shoji Kawamori for a Gen Z audience

Alicia HaddickOct 31st

Egoist questions love and ego in powerful ways

Alicia HaddickOct 20th

Expectations fall at “Five Centimeters Per Second”

Alicia HaddickOct 10th

Hero’s Island channels Okinawan anger on an epic scale

Alicia HaddickOct 8th

100 Meters is a rotoscoped masterpiece of high-octane racing

Alicia HaddickSep 30th